DMX Krew: Wave Funk
DMX Krew’s Edward Upton has been around a long time, but his best-known releases are retro vocal synth-pop.
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DMX Krew’s Edward Upton has been around a long time, but his best-known releases are retro vocal synth-pop.
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At first listen a week ago, this album seemed a bit cheesy, but it perfectly accompanies warm, sunny weather like today.
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The album begins with a chopped hip-hop beat clunking along an ambient drone and some distant chords. This essentially goes on for 4 minutes—welcome to 1999. D’arcangelo have been mainstays in the realm of experimental electronic music ever since their first release on Rephlex back in 1996. Combining elements of electro hooks and ambient atmospheres into their experimental music, I have always anticipated their next release with excitement.
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Billed as a mystery artist, credited to “Karen Tregaskin,” and rumored to be AFX-related, The Tuss’s music is indeed very Analord-esque.
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Dopplereffekt refuse interviews and rarely perform live. They originally hail from Detroit, and their music has a spacey eighties presets feel.
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It seems I have a love-hate relationship with Vibert.
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Ingram is a Detroit techno legend. His second full-length spans bass-heavy electro to downtempo braindance.
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Aphex Twin’s first new material since 2001 is a series of eleven 12-inches released last year. Now Rephlex is reissuing about a quarter of those tracks on CD.
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Bastien built himself a mechanical orchestra.
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Bogdan Raczynski and Björk.
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